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Vin Amorando

Music history, guitar culture, and the human experience.

  • Echoes From the Vault
  • Hundred Million Club
  • Music HistoryExpand
    • Music & The Moral Panic
    • History of Rock
Vin Amorando
Music history, guitar culture, and the human experience.
  • Four young women record in a 1961 studio as teenage private desire becomes national pop culture.
    History of Rock

    Episode 5: The Privatization of Sound (1949–1963)

    ByVin Amorando September 9, 2026

    The institutions had spent the end of the 1950s trying to regain control. The Payola hearings had wounded independent disc jockeys, Alan Freed was finished, Elvis Presley was in the Army, and Buddy Holly was dead. The rawer edges of early rock were giving way to young male singers whose songs, clothes, and public behavior…

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  • Florentine song manuscript being rewritten, representing Savonarola's use of familiar melodies for devotional purposes
    Music & The Moral Panic

    Episode 5: Burn Their Songs, Then Teach Them Yours – Savonarola, the Reformation, and Music as Political Technology (1490s–1560s)

    ByVin Amorando September 9, 2026

    Carnival Before the Seizure In fifteenth-century Florence, Carnival occupied the city physically. Songs moved through streets and public squares while masks loosened ordinary identities and seasonal excess temporarily rearranged the social order. The Medici tolerated and sponsored a civic culture in which spectacle and government were closely entangled. Carnival gave Florence a sanctioned place to…

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  • Medieval choir, parchment music and papal decree evoke Church authority over Ars Nova worship in Avignon.
    Music & The Moral Panic

    Episode 4: Licensed Disorder – Carnival, the Ars Nova, and the Limits of Permitted Rebellion

    ByVin Amorando September 3, 2026

    The problem reached Avignon from inside the choir. By 1324, the papal court had become one of the great administrative centers of Western Christianity, and Pope John XXII governed an institution whose authority depended on more than doctrine. Authority also lived in ritual, in the repeated forms through which doctrine became audible and recognizable. Plainchant…

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  • Alan Freed stands at a late-1950s radio console as the payola crackdown shifts control toward institutions.
    History of Rock

    Episode 4: The Empire Strikes Back (1959–1961)

    ByVin Amorando September 3, 2026September 7, 2026

    On February 3, 1959, the Winter Dance Party tour was already in trouble before an airplane ever left the ground. Buddy Holly had been crossing the Midwest on a bus whose heater had failed during one of the coldest stretches of the tour. The next performance was roughly three hundred miles away, so Holly chartered…

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  • Black musician's hands lift a mail-order guitar from a crate, representing cheap access in the rural South.
    Hundred Million Club

    Cheap Access Made the Guitar a Working-Class Instrument

    ByVin Amorando August 30, 2026

    The electric guitar arrives in modern memory already screaming. Feedback hangs in the air, amplifiers cover the stage, and the player carries the posture of someone who has decided the room belongs to them. Rock culture built that image so successfully that rebellion can seem like a natural property of the instrument, something waiting inside…

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  • Picasso’s 1912 cardboard Guitar hanging on a studio wall as discarded packaging enters modern art
    Hundred Million Club

    Painted Sound: What Picasso’s Cardboard Guitar Did to the 20th Century

    ByVin Amorando August 30, 2026August 30, 2026

    In late 1912, Pablo Picasso assembled a guitar from paperboard, coarse thread, twine, and wire in his studio on the Boulevard Raspail in Paris. The paperboard was the heavy laminated stock used for commercial hat boxes and shoe boxes. It bent, creased, and retained the pressure of the hands that worked it. Nothing about the…

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  • Echoes From the Vault
  • Hundred Million Club
  • Music History
    • Music & The Moral Panic
    • History of Rock